I have always nurtured the desire to write a manual that would condense the key topics addressed in my seminars, with the aim not only of clarifying certain subjects but, above all, of sharing with students the wealth of knowledge I have gained over the years.
This work is intended not only as a tool for further study but also as a vehicle for conveying a precise research orientation and a personal expressive language, the result of a coherent and conscious artistic and educational journey.
It is not a manual designed to gain access to some form of excellence, but rather the outcome of my research and of a way of viewing certain topics from a personal perspective.
I developed this system through my classical and jazz studies. In this manual, I analyze several aspects: scalar knowledge, intervals, sound, technique, improvisation, and many other concepts specific to jazz and contemporary music, including an original system I have called modal chromatization.