Spettri” is nothing more than a brief yet intense initiatory journey in six long stages: an ever-evolving emotional and artistic collection. A true metamorphosis designed to provoke a clear surge of awareness, evoking fears and consciously pushing toward a possible resolution of the emotional blockages of the human condition. Each track speaks to a specific state of the soul: feelings, fears, and spectres in all their delicate and subtle nuances. The album was recorded, mixed, and mastered in six days using the first two takes of every session: it is, in every respect, a Live EP. This work was entirely produced by the Tuscany Region in collaboration with Toscana100band and ControRadio. “6711 Yucca St” The title is simply the composer’s first residence during his stay in Los Angeles, at 6711 Yucca Street in Hollywood. This track gathers many influences, ranging from rock to jazz to fusion. “Spettri” is a collection of thoughts, concepts, and ideas drawn from particular moments in each of our lives. The Spectre that sooner or later each of us is forced to face. “Oktophobie,” inspired by Karlheinz Stockhausen’s Oktophonie, represents the summation of human fears. “Psicomagia” is drawn from the thinking of Alejandro Jodorowsky, and this piece is the result of an improvisation inspired by a Jeff Beck live performance. “Golden Vanity” is nothing more than the “recognition of the sacred,” in the form of a dedication to the great Maestro Miceli, who passed away a few years ago. “L’Innamorato,” also an improvisation, expresses that particular condition that invites us to reflect and question our emotional life. The album was entirely produced by Frank Pilato with Regione Toscana, ControRadio & Toscana 100 Band. Composer – Editing – Mixing – Mastering by Frank Pilato. Frank Pilato: guitars Francesco Micieli: drums Luca Giachi: bass Lorenzo Furieri: keyboards Stefano Chianucci: vocals and lyrics on Golden Vanity.

This method presents 20 exercises designed to develop technical control and melodic fluency over the II–V–I progression, one of the pillars of modern harmony. Each study is written in standard notation and tablature (TAB) for direct and practical application on the instrument. Below every score, a detailed explanation clarifies the melodic, harmonic, and technical ideas, creating a seamless link between theory and performance. The material explores the II–V–I progression in depth, introducing non-diatonic modal substitutions on the V chord to expand harmonic color and expression. All exercises are meant to be transposed into all twelve keys, ensuring a complete and flexible command of the progression. The method suits jazz, rock, fusion, and modern players, offering both solid technical study and creative freedom. Each exercise functions as a short melodic etude, musical, practical, and designed to refine both technique and phrasing. Study Agenda 1. Start slowly: practice each exercise at a low tempo, paying attention to tone, timing, and articulation. 2. Read and analyze: follow the explanations under each score to understand how every melodic line relates to its harmonic background. 3. Gradually increase speed: once the notes and phrasing feel comfortable, bring the tempo up while maintaining control. 4. Transpose to all keys: play every study in all twelve keys to internalize shapes, fingerings, and harmonic functions. 2 5. Use the backing tracks on MuseScore: each of the 20 II–V–I exercises comes with its own built-in backing track on MuseScore. Practice directly with these play-along tracks, slow down the tempo, loop difficult sections, and work on your time and phrasing in real context. 6. Experiment with styles: interpret the same material using swing, straight, rock, or funk grooves to strengthen stylistic versatility. 7. Integrate the ideas: apply the melodic and harmonic concepts in solos, improvisations, and compositions to make them part of your natural vocabulary. This method is a comprehensive and practical journey through the II–V–I progression, guiding you from technical precision to musical expression and from study to performance. Frank Pilato

THE COLTRANE EXPRESS NEXT STOP: GIANT STEPS A method by Frank Pilato “Not just a method, but a thrilling journey through one of the most iconic jazz tunes of all time.” Have you always dreamed of truly understanding Giant Steps? You’ve tried to study it countless times… but those chord changes still feel like a maze? “The Coltrane Express” is the method that finally unlocks the hidden logic behind John Coltrane’s masterpiece. Born from real students’ requests, this book offers a clear, practical, and musical approach to one of the most complex tunes in modern jazz history. You won’t find abstract theory here — just a step-by-step journey that guides you through the harmony, the patterns, and the sound of Giant Steps. Inside you’ll find: • 🎼 Complete harmonic analysis and triadic structures used by Coltrane. • 🎸 Practical exercises and digital patterns to develop fluency through the Coltrane Changes. • 🧠 A progressive approach — from simple triads to advanced phrasing concepts. • 🎧 Musical examples and two original solos, explained note by note. • 🔍 A method that combines theory, logic, and sound, written by a working musician who lives and teaches this language every day. With The Coltrane express, you’ll discover that Giant Steps isn’t a wall — it’s a door to a new way of thinking about harmony, the guitar, and modern jazz improvisation. 👉 Turn your fear of Giant Steps into your greatest musical breakthrough. Renowned jazz-fusion guitarist Frank Pilato will be by your side step by step, showing you how to tackle Giant Steps with technique, precision, and an irresistible melodic flow. INSIDE YOU’LL FIND: MuseScore files – to adjust the tempo and follow every note in tab and standard notation Printable PDFs – to study anywhere, anytime Complete backing tracks to practice as if you were on stage! Scales, arpeggios, patterns, phrases, modal substitutions, “outside” solutions, chord-melody, and much more, rhythmic figures and everything you need to truly master Giant Steps. Turn jazz’s greatest challenge into your greatest achievement; the entire manual is in ENGLISH.

Debut solo album by guitarist Frank Pilato, playing the music of Andrea Marcelli, for a very special project, with a story over 20 years long. Andrea Marcelli after recording two critic acclaimed albums for Verve/Polygram "Silent Will" in 1989 and for Verve and Lipstick Rec. "Oneness" in 1991, composed the music for the new album "Stories". This new project was partially recorded in June 1993, engineered by Allan Holdsworth, as the first recording made in his newly built Brewery studio in Vista, California. The music was envisioned by Marcelli for an electric guitar as main soloist. Holdsworth could not play for contractual problems so the album was not finished. During the following years Marcelli kept playing Jazz world wide and moved from Los Angeles (1989) to New York in 1997 and then to Berlin in 2001. He always had in mind to finish his project "Stories". Some years later he finally came into contact with Italian young and talented electric guitarist Frank Pilato, who also lived and played for a while in Los Angeles. Frank took the challenge and responsibility to successfully record and finally finish the album, in 2015, together with engineer Matteo Guasti at the Labella Studio in Florence. Pilato wanted also to contribute with a new composition and recorded with Marcelli an inedit guitar/drums duo! The band includes an exceptional rhythm section with Marcelli's long time collaborator pianist Mitchel Forman, plus bassists Gary Willis and Jeff Berlin! A very special project which embraces over 20 years of personal stories.